| Published Works by Brian Paul Clamp |
| "Scott Dalton: Macondo--Journeys in Garcia Marquez's Colombia," Spot Magazine (Houston: Houston Center for Photography, 2010). |
| "Matt Eich: Carry Me Ohio," Spot Magazine (Houston: Houston Center for Photography, 2010). |
| "Chad States: Cruising," Contact Sheet: The Light Work Annual (Syracuse, New York: Light Work, 2010), p. 28 |
| "The Creation of a Group Show," The F Stop Magazine Blog (April 7, 2010) |
| "Luke Smalley: Sunday Drive," East Village Boys Blog (November 25, 2009) |
| "Movin' On Up," The F Stop Magazine Blog (September 8, 2009) |
| The Point of Secret (New York City: Marc Yankus and ClampArt, 2008) |
| "Extreme Blur: The Unseen Work of Bill Armstrong," ZOOZOOM.com (July 2008) |
| "Susan Lakin: Television Portraits," Magenta Magazine (Toronto: Fall 2007), Vol. 2, No. 3, pp. 10-5. |
| "Photo LA: Concerning Art Fair Culture," Art Fairs International (New York: November 2007). |
| "Selling Ideas: Fashion Photography Now," Click Chic (New York City: Visual Arts Museum, 2007). |
| "Bill Travis's Appian Way," Bill Travis: Along the Appian Way (Rome: Mercanti Editore, 2006), pp. 10-12. |
| "Let the Good Times Roll: Photographer Michael Meads was Always Just a Couple-a-more Cocktails Away from Utter Chaos," Useless (Fall 2006), Issue 4, pp. 20-2. |
| "Marc Yankus: Time and Again," ZOOZOOM.com (June 2006). |
| "Arthur Tress: Vintage," ZOOZOOM.com (April 2006). |
| "Kathy's Beauty Nook: Photographs by John Arsenault," ZOOZOOM.com (March 2006). |
| "Bared & Bended: Photographs by Frank Yamrus," ZOOZOOM.com (January 2006) |
| "Most Muscular: Photographs by Brian Finke," ZOOZOOM.com (November 2005) |
| "Bill Armstrong: Apparition," ZOOZOOM.com (September 2005) |
| "What I did on my summer vacation. . . : Autobiographical photography and the snapshot aesthetic," ZOOZOOM.com (August 2005) |
| Messages Written in Secret Codes: The Art of Christopher Webster (Aberystwyth, Wales: Aberystwyth Arts Center, 2005) |
| "Through the Lens of the City: NEA Photography Surveys of the 1970s," Bookforum (February/March 2005), Vol. 11, Issue 5, pp. 55-6 |
| Lily Ente: Listening to the Stone (Woodstock, New York: Woodstock Artists Association, 2001) |
| (Potential) Transformation: An Iconographic and formal analysis of Matthew Barney's "Cremaster 2" (Ann Arbor, Michigan: UMI Dissertations Publishing, 2001) |
| Theodore Robinson: A Catalogue of Works (New York: Owen Gallery, 2000) |
| American Impressionism: Toward Meaning and Context (New York: Owen Gallery, 1999) |
| Edmund Tarbell, "The Bath ": A Rediscovered Masterpiece (New York, Owen Gallery, 1999) |
| American Artists and the Impressionist Aesthetic (New York: Owen Gallery, 1999) |
| The Eight: Bridging the Art of the Nineteenth and Twentieth Centuries (New York: Owen Gallery, 1997) |
| Everett Shinn: Lights of the City and Stage (New York: Owen Gallery, 1996) |
| William Glackens: Member of the Eight and American Impressionist (New York: Owen Gallery, 1995) |
| American Impressionism: A Catalogue of Works (New York: Owen Gallery, 1994) |
| Modernism - An American View: A Catalogue of Works (New York: Owen Gallery, 1994) |
| Robert Henri Portraits (New York: Owen Gallery, 1994) |
| The Eight: A Catalogue of Works (New York: Owen Gallery, 1993) |
